there’s no place like bed

bonjour friends, ca va? after a year of not posting, here’s the second in one week…how come? well i wanted to do a post before mother’s day and it’s coming up quick so, here we are!

have you ever wanted a set of pink sheets? rose, blush, nude, what ever shade we gravitate toward, pink is a healing and soothing color. it’s tricky to decorate with since it’s so feminine but that’s why the bed is the perfect place to indulge in its comforting and alluring appeal. (photos via pinterest.theparisapartment.com)

many of us love pink in all its glorious shades but we’re also super picky…we don’t want bubble gum, others are too peach, others too pale or bright. each person’s pink is very specific.



it’s tricky nailing our perfect pink but when we hit on it there’s nothing else that compares when slipping between the sheets. it’s like a cocoon or as my friend described these sheets i’m about to share, it’s like sleeping on a rose petal.

i’ve always been a cotton purist, loving egyptian and indian cotton and just basically enjoyed how cotton wears and get softer with age. linen too, in fact all natural fibers on the bed has always been the first order of business when building the perfect bed.

vintage french cotton sheets and pillowcases will always be welcome accents but friends, i’m excited to tell you about my new discovery because it also inspired something else i’ve been wanting to share.
after staying at a friend’s place and having one of the best sleeps of my life on her sheets, i had to order a set for myself and was bursting at the seams when they arrived. i got a pink set and, as you can see from the top shot, neo loves them too!

so this is twofold…first of all the sheet set i ordered is called sheex first of all they are the most delicious shade of pink. secondly, they’re made from 100% Tencel Lyocell eucalyptus tree fibers, are eco-friendly. and…they’re naturally cooling. the company offers a few different products and i did order the wrong ones at first, so be sure they’re the ‘arctic aire’ if you’re going to test these out. as you may know, when photographing, pinks and reds can be really hard to capture. below are the sheets on my bed and next is a shot ofthem on amazon with what may be a truer color. but even then i find that they’re more of a neutral pink than the bright that they seem below. they really nailed the shade in my opinion but they have to be seen to be appreciated.

anyway the good news is that they come in a few colors and if you’re not into pink you get them in cream or white. either way, i highly recommend them for being beautifully made, super soft and guaranteed to be the perfect gift. beware tho, they’re also guaranteed to keep you in bed a little longer each morning!
click the pic below to see the details or purchase on amazon, or you can use this link: https://amzn.to/3uh9Gt1

last but not least i wanted to share that these sheets inspired me to get my amazon affiliate account back up and running. if you don’t know, you can sign up on amazon to recommend products you’re passionate about. when someone purchases, the affiliates receive a commission. it can be something like these sheets or books, movies, products, beauty items, candles, etc. i wanted to discuss it briefly since it’s something many of us can do that’s both fun and satisfying. if you’re interested in learning more about it, I finally cracked the code and although i’m no expert, believe we can all help each other to learn and grow in business and pleasure. let me know if you’re interested in the topic and if so, we can go further in depth.

et alors, c’est tout for today, sweet dreams mes amis!
the art of self care

bonjour dear friends, it’s been a while since I sat down to blog. In fact it’s been over a year which is really unbelievable since this used to be my favorite place to be. wordpress has a new format and now that i’m over the learning curve i can get back to doing what I love, being here!

so what’s changed in this past year? well, only everything. the outside world has shifted and that brought our homes more into focus. we began nesting, cleaning out closets and trimming the excess.

we created areas to work, relax and rest, inspired by our need for personal spaces, and we reignited our love for just being home.

we also found that self care would be come a priority. but with everyone home, it wasn’t always so easy to find.

i’ve always felt a vanity is the ultimate refuge; an intimately personal realm we don’t share. it’s a sacred space that is ours alone. they seem to come in and out of fashion but now more than ever, they’re an essential non negotiable. some may see it as excessive but i believe being self-ish in this way is like putting your oxygen mask on before helping someone else when on a plane. what good are we to anyone else when we haven’t replenished ourselves? i would argue that the vanity has the ability to restore, reset and revive us on many levels, from physical to mental and emotional.

vanities are nothing new, in fact they’ve been around for thousands of years, maybe more. so what is it exactly is the magic that a table, mirror and chair combo does for us? well, it’s a combination of eternal needs; a moment of me time, the ultimate luxury, full focus on you alone. it’s a timeless concept. in fact we see in early pompeii paintings like this one below (showcasing the age old dilemma of what looks to be a bad hair day) that this issue knows no time or bounds.

heck, even cleopatra had a vanity, which is no surprise really, they were already thousands of years old by her time. we tend to attribute the dressing table to the french but maybe it’s more that they just rebranded them. their innovative and lavish designs brought glamour into the 1700s.
so, if women through all of eternity have been setting up this private world all to themselves, why shouldn’t we enjoy this little indulgent tradition in the Age of Self Care? we should!

You, yourself, as much as anybody in the entire universe, deserve your love and affection.
Buddah
alors then, what does it take to have a vanity or dressing table in a modern world? luckily for us we’re living in a minimalistic age where it really doesn’t take much. a table, a mirror, the perfect seat, and of course all the accoutrements that make it personal. but it’s only natural (and fun) to gather inspiration from the past, and who can resist the early designs and historical illustrations of daily life?

the designs were elaborate in the 1700s but still, many have gone with simplicity throughout the years

it’s hard to imagine life in the 1500s and 1600s but rain or shine, feeling well or not, they pulled it together and put their hair and faces on.


i get such a kick out of these old plates…pinterest is full of wonderful rabbit holes to go down and discover. in fact, all images were found there on my vanity board. pinterest.com/parisapartment/vanities

what is it about a woman looking into a mirror that is so alluring?



And lest we think the vanity belongs to women alone, take a look at these old illustrations from hundreds of years ago where men were no strangers to the importance of the vanity.


so dear friends, as we take this new era, to go with the flow of changes we’re all experiencing, it seems that the most important action we can do is one of being self-ish, and that’s a far cry from selfish. have a great weekend!
Self compassion is simply giving the same kindness to ourselves that we would give to others.
C. Germer
“If you truly love nature, you will find beauty everywhere” -Van Gogh, The Paris Years
Boulevard De Clichy, Paris 1887
Bonjour toute le monde, ca va? I’ve been with my family the past few days and we’re watching old movies and
reminiscing about trips we’ve taken over the years. My mom has always loved Van Gogh and with the passing of Kirk Douglas it was only natural that we watch Lust for Life the other night. It got me thinking about sweet, sensitive Vincent and his life so I started searching for paintings he created while living in Paris from 1886-1888.
The Parisian Novels, 1887
View from Theo’s Apartment, 1886
He was someone who purposefully looked for beauty. Somewhere between the years of sunflowers and starry nights, he lived with his brother Theo in Montmartre. His Paris works exceed 200 pieces, so it’s incredible that he only sold 2 canvases in his lifetime. What’s also amazing is how fascinated he was by the same things in Paris that we are today. The view from his window, the rooftops, the chimneys, the light…his works are a sort of gentle, visual map of a changing city at a pivotal time. His letters are a real insight into his mental state, personality and true lust for life.
Theo’s Apartment, 1886
View from the Apartment, rue Lepic
appartement-de-theo-van-gogh-rue-lepic
View of Paris from Montmartre, 1886
I love how lush this one is and how we can almost feel the coolness of the green leaves on a summer day. Montmartre is still one of the best places in Paris to find trees outside a window. It’s easy to see why he was so inspired to capture the essence of the day.
View of Paris, 1886
Like a puzzle, we can piece together his two years in the city and understand what his life was like while living there. Such a wild time. It was the Industrial Revolution after all. An incredible era with exhibitions and new inventions, photography, steam engines, a building boom and a world evolving at the speed of light. Painters, writers, sculptors, philosophers, architects and new plans for every corner. It was probably a lot to take in and he was a sensitive, delicate soul. Seems like he may have spent a lot of time looking out the window onto the busy city, just happy to be an observer sometimes.
Paris Rooftops 1886
As much as the rooftops fascinated him, he did go out and when he did was all over the city from top to bottom, sketching and painting every inch including the places we know and love like the Louvre and the Opera.
The Pont du Carrousel and the Louvre, 1886
It’s amazing to see how much was undeveloped. Paris is an ancient city and yet at that time it still had wide open spaces.
View Of Paris With The Opera, 1886
Allee Jardin du Luxembourg, 1887
Avenue in a Park, 1888
The parks were a refuge then as they are now. Some things just don’t change. As a sensitive person he sought out places that provided a quiet solitude.
In the Boulogne Forrest, 1886
He studied the passersby as well at their daily activities, fascinated by the lives and times of typical Parisians.
State Lottery, Paris 1887
The Brothel, 1887
To get away from the bustling commercial center of town, he spent a lot of time just outside the city limits, in Asnières, an area in the northwestern suburbs along the Seine. His paintings show how Paris was developing and progressing, but he was able to find places of silence and simple pleasures by the Seine, enjoying the boats, the restaurants and gardens and open spaces while documenting the development during those two busy years.
Fortifications of Paris with Houses, 1887
It’s truly fascinating to see how open and uncluttered Paris was at the time. He must have looked for places to set up his easel where he could find glimmers of nature. He really leads us through a changing world and must have kept one step ahead of to avoid the confusion and noise. If we look at his body of work as a whole, his main focus is usually on color, light and natural elements. Cities aren’t normally convenient places to find any of that but he sought it out and translated it onto the canvas.
Walk on the Banks of the Seine in Asnières, 1887
On the Outskirts of Paris, 1887Â
The Laundry Boat on the Seine at Asnières
Banks of the Seine at Pont De Clichy, 1887
The Banks of the Seine, 1887
The Banks of the Seine with Boats, Spring, 1887
The Bridge of Courbevoie, Paris, 1887
The Seine at the Pont de Clichy
As much as he loved the outskirts he found his way back to Montmartre and that seemed to be his touchstone as it was also home base. Many of his paintings feature the windmills and gardens and vineyards and cafes which were part of everyday life.
Montmartre, Paris, 1886
Vegetable Gardens in Montmartre, 1887
The Hill of Montmartre with Stone Quarry and Windmills, 1886
Terrasse du Café la Guinguette À Montmartre, 1886
Le Blute-Fin Mill, 1887
Le Moulin de la Galette, 1887
Le Moulin de la Galette, 1887
Montmartre Behind the Moulin de la Galette, 1887
Montmartre Windmills and Allotments, 1887
Factories Near Montmartre, 1887
Sloping Path in Montmartre, 1886
Impasse des Deux Freres, 1887
There are so many more pieces but I guess they will have to wait for another day. For now, dear Vincent continues to live on fascinating us with his life and times and beautiful perspective on the places we know and treasure. His paintings never get old and have an innocence that still touches us to this day. I’m feeling nostalgic about him today, wishing he had found peace and love and satisfaction. We know though that he never did, so Iet’s just end with the song that says it all…
Paint your palette blue and grey
Look out on a summer’s day
With eyes that know the darkness in my soulShadows on the hills
Sketch the trees and the daffodils
Catch the breeze and the winter chills
In colours on the snowy linen land
Now I understand
What you tried to say to me
How you suffered for your sanity
How you tried to set them free
They would not listen, they did not know how
Perhaps they’ll listen now
Starry, starry night
Flaming flowers that brightly blaze
Swirling clouds in violet haze
Reflect in Vincent’s eyes of China blue
Colours changing hue
Morning fields of amber grain
Weathered faces lined in pain
Are soothed beneath the artist’s loving hand
What you tried to say to me
How you suffered for your sanity
How you tried to set them free
They would not listen, they did not know how
Perhaps they’ll listen nowFor they could not love you, love you
But still your love was true
And when no hope was left in sight on that starry, starry night
You took your life as lovers often do
But I could have told you, Vincent
This world was never meant for one as beautiful as you
Oh, starry, starry night
Portraits hung in empty halls
Frameless heads on nameless walls
With eyes that watch the world and can’t forget
Like the strangers that you’ve met
The ragged men in ragged clothes
The silver thorn of a bloody rose
Lie crushed and broken on the virgin snow
Now I think I know
Oh, what you tried to say to me
How you suffered for your sanity
How you tried to set them free
They would not listen, they’re not listening still
Perhaps they never will